


The newest FOV mode, HyperView, is made possible thanks to the larger 8:7 image sensor. The GoPro HERO11 Black offers a number of field-of-view modes, including the all-new HyperView along with SuperView, Wide, Linear and Linear + Horizon Lock. When trying to capture fast-moving action, it’s nice to know the camera is recording usable footage without any extra work from the camera operator. Overall, we were impressed with HyperSmooth 5.0’s performance - and good thing, too. AutoBoost, however, provided a good balance that kept footage looking natural while still eliminating the larger jolts. Any minor warping will be much less distracting than giant bumps and shakes. However, it could be a good option in the right circumstances. Panning the camera with Boost on gave us some weird warping at the edge of the frame, which we found distracting. We found the regular Boost mode to be too intense for our mild adventures. There is a significant improvement when using HyperSmooth, and we shot most of our footage with it on or in AutoBoost. This latest iteration of GoPro’s in-camera video stabilization offers four modes: off, on, Boost and AutoBoost. To combat the inevitable shakiness of action camera footage, the GoPro HERO11 features HyperSmooth 5.0. In our testing, we almost never used voice commands, but when we did, they worked adequately.įinally, a status light allows for a quick visual indication of the camera’s status, making it easy to see whether or not the camera is recording. And of course, the camera needs to be able to hear you over the environment.
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This option is great for solo filmmakers who need to quickly control the camera, but you’ll need to have the proper commands memorized to get full use out of this feature. You can also control the camera via the GoPro Quik app or using one of the 14 voice commands available in 11 languages and 6 accents. On the side of the camera is the Mode button, which toggles the camera between Video, Photo and Timelapse capture modes. This turns the camera on and starts recording with a single press.

To support the unpredictable nature of action video capture, the HERO11 offers a QuickShot shutter button on the top of the camera. The menu also makes it easy to quickly switch between your most used modes and settings, though deeper controls are still available as well. Taking up nearly the entire back of the camera, the HERO11’s 2.27-inch rear touch LCD makes it easy to navigate and control the camera settings. On the front of the camera is a 1.4-inch color LCD. Displays, menu and camera controlįor monitoring your shot, the camera features dual LCD displays, allowing you to see what’s being captured whether you are in front of or behind the camera. We liked keeping the camera in video mode as much as possible, so it’s nice to have the option to grab still photos after the fact without much loss in quality. In addition to its dedicated Photo mode, the camera supports up to 24.7 MP frame grabs from video files. Overall, our footage exceeded expectations.Īlong with video recording, the HERO11 captures RAW photos at 27 megapixels. The HERO11 captured the rich golden hues of the fading evening light as well as the vibrant green of fresh grass sprouts after a rainstorm. It’s a big upgrade, especially if you plan to do significant color correction or color grading in post-production.Īll of this adds up to a pleasing image straight out of the camera and some additional flexibility in post-production. When capturing footage in the new 10-bit color mode, the HERO11 can capture 1.07 billion colors. Up until this point, GoPro action cameras could only record in standard 8-bit color, capturing up to 16.7 million colors. More exciting for action video producers, the HERO11 adds 10-bit video recording to capture more vibrant and accurate colors. At 4K, the maximum frame rate is 120 fps, while 5.3K offers frame rates up to 60 fps.
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It can capture video at up to 240 frames per second in 1080p or 2.7K resolutions, giving up a maximum 8x slow motion.
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Recording at a maximum bit rate of 120 Mbps, the HERO11 uses the H.265 codec and MP4 video format. With this new larger sensor, the camera records video at resolutions up to 5.3K in 16:9, 4:3 or 8:7. Moving on to the inside of the camera, the GoPro HERO11 Black features a brand new 27 MP 1/1.9-inch CMOS image sensor with a nearly-square 8:7 aspect ratio. The protective battery compartment houses the camera’s cold-resistant Enduro Battery along with the microSD card slot. Plus, its small size and convenient carrying case also make the HERO11 easy to transport and store. Its built-in folding fingers allow for easy attachment to standard GoPro mounts. The HERO11 also retains the integrated mounting system from previous GoPro models.
